I’ve always liked autumn. It makes me think of my mother.
My mother used to create oil paintings. Almost invariably, they were scenes of mountains, rivers and trees. Mum liked these things and she enjoyed putting them onto canvas. It was always a scene of a river leading off into a lake with a mountain in the background. Sometimes when I see one of her paintings, I like to think that’s where she is now and that one day, I’ll be walking along the banks of the river, next to the trees and she’ll be there, just beyond the picture’s reach.
She liked autumn colours most of all.
Not long before she died, she promised me a set of four paintings; the same scene in all four seasons. She only ever did the first one. She picked autumn.
See? Just around the bend in the river, behind the trees.
I keep meaning to sort out a frame for this painting, because the one she put on it got broken in one of the many house moves I’ve had since she gave it to me. But whenever I look at it, I remember her and it’s a nice feeling. Not a day goes by when I don’t think about her, or miss her or wish I could have ‘one more conversation’ with her. She always knew the right thing to say or the right little gesture to make everything right. That’s a mum’s job, I think. I like to think Not So Small Son thinks that way about me. I’d ask him, but he’s currently engrossed in a game of Team Fortress 2 with headphones over his ears, happily oblivious to his mum pouring her heart out on a blog post.
So anyway, yes. I like autumn. There’s this heady ripeness about it as a season. If spring is the playful childishness of a year whilst summer is its exuberant youth, autumn is the mature part of the year. The year in its prime; with the capability of slipping back into a summer day without warning or freezing you into two duvets. Autumn is a season that’s all about the senses. The colours in the trees, the smell of frost in the air and bonfires; the smell of the leafmould in the woods. The sound of dead leaves crackling underfoot and the sounds of fireworks (which seem to pretty much herald the arrival of autumn now!). It’s a bountiful time and I’m grateful for all that I have. Every so often, I stop to remind myself just how incredibly lucky I am to have a roof over my head; a husband and son who I love more than anything and outstanding friends.
In other news, Tales of the Nun & Dragon is now on release; early feedback has been very positive, including on my own contribution, the rather tongue-in-cheek Ballad of Gilrain, a story featuring a less-than-competent hero and his long-suffering servant who set out on a quest to slay a dragon.
Edits on Project: Loophole are going pretty well – for those of you who haven’t seen me mention this on Twitter, this is a Silver Skulls novel. My revised manuscript is due in at the end of September and I’m happy to say that after a few… less than productive weeks, I’m back on form and words are flying freely once again. Things are good on that front. I’m not going to Games Day this year which is a shame as I loved it last year, but the Black Library Weekender in November is coming up and I’m looking forward to it enormously.
Project: Backburner is sitting demanding some love once I’ve done with that, too. Project: Backburner is an urban fantasy story set locally (for me) in Durham and again, is not Entirely Serious.
Have an extract. Enjoy autumn.
EDWARD LEWIS FLANAGAN III had been born into the world some thirty six years previously, in a small town outside of Dublin. The youngest of six, he was also the only boy – and the horrors he experienced growing up at the hands of all that oestrogen had stood him in excellent stead for the path his life would take.
His childhood was supremely normal, apart from the expected mocking he received from the other children due to his apparently comical initials. ‘Little Elf’ was the nickname he received on his first day at school and it lasted barely more than a week before the five year old Ed – known even then by his family as ‘Just Ed’ – was in trouble for fighting.
Apart from this demonstration of ferocity, he was a remarkably placid boy who was well liked by his elders and peers alike. He was polite, well-mannered and intelligent. It was this intelligence that led him to Durham University to study Ancient History.
He had long yearned to get out of Ireland and studying offered him a route that came with the additional benefit of indulging his favourite thing. Ancient History fascinated Ed. He had keen hopes of either becoming a museum curator, a lecturer or, at a push, Indiana Jones. His brief sojurn into archaeology ended when out of boundless enthusiasm (and in an attempt to get laid) he had accompanied a girlfriend on a trip to the Outer Hebrides. Sitting for endless hours in an ancient midden, discovering what coprolite was had started out quietly entertaining.
Then, as time wore on, with the rain hammering down on him and with the real archaelogists sneeringly laughing at what they called ‘the wrong kind of trowel’ any of Ed’s Jones-like tendencies had been severely dampened.
It also put a permanent dampener on the relationship.
He came back from the field trip to the loving embrace of academia and was glad for it. They hadn’t even managed to sleep together, either.
Durham had captivated him from the moment he had stepped off the train. The cathedral, standing its silent vigil above the Wear peninsula on which it stood drew the eye wherever you were in the city. The uneven, steep city centre with its plethora of mysterious little passageways that went the heavens only knew where… there was everything in Durham for a young man with a curious mind and a great imagination.